1. Other things occur, bands tight across the head.
2. I was wrong to use a circular motion.
3. What it’s really like to do one thing at one time.
4. If you pick up a receiver now it will invariably be the wrong time for the person you are
trying to reach. How not to forget one’s own origins? If a day is not a number it sometimes
behaves like a bad animal. I mean like humans.
5. I’d rather not go today because there will be lines out the door in thin gray drizzle.
6. She looked different when she was there to meet anyone else—than when she was there
to meet me. Will I be invited again? We hope certain parties will repeat themselves, with the
same persons.
7. Is it possible that they’d never met?
8. The entire room then became a person I knew, in many bodies.
9. She was sorry that this year she cannot contribute and I offered to contribute in her place.
10. Faux instructions are the way to go.
11. I asked him to help me with a small software problem that had to do with filling out
poorly designed government forms. He said he had administrators who could fill out those
forms when he applied for grants. But in the arts things are different.
12. It seems important to train oneself to extend in the most unlikely of directions especially
when that involves poor chances and badly designed forms.
13. I have not yet begun.
14. People disagree about whether or not it is polite or just adding to clutter to send
messages via email to say thank you. But I must say thank you.
15. We never used to meet this way.
16. This one is impossible so I don’t know why I even bothered to write it down. Possibly
because persistence is the only clear course to survival.
17. And when I do the mailbox will be full. The message will say, if you can, send me a text.
18. I should just do this. It won’t take long.
19. Lascivious.
20. Balconies, terraces, charming streets, very affordable, more and more alluring.
21. He resists practice.
22. This might be for much younger kids.
23. Write a note of encouragement and make it so convincing that this person decides to stay.
24. Help with mortality issues and something we should have done decades ago.
25. Does silence mean I’m not in your thoughts?
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We’ve been waiting so long for Reese Witherspoon’s next book club selection. Actually, scratch that, we’ve been waiting a month. At the start of each month, the self-proclaimed bookworm announces the next read for her beloved book club, and this one will not disappoint. For fans of historic fiction and inspiring tales set in the early 19th century, Witherspoon’s latest book club pick is perfect for you — and it’s currently less than $20 on Amazon right now.
Related storyJennifer Grey Details Her Turbulent Post-Dirty Dancing Years in New Best-Selling Memoir
Witherspoon’s latest literary selection is The Dictionary of Lost Words by Pip Williams. Set in the early 19th century as the suffrage movement is well underway and the Great War looms, a young girl named Esme hides under tables and away from prying eyes while her father and his cohorts collect words for the first edition of the Oxford English Dictionary at the revered university. But Esme, whose mother died when she was a baby, begins to notice something about the words going uncollected.
Image: Ballantine Books Ballantine Books.
After finding the word “bondmaid,” meaning slave girl, discarded, Esme begins to collect even more words that have been neglected by her father and the men selecting the words for inclusion in their dictionary. As she grows up, Esme decides to set off on her own, leaving the sheltered world of the university where she grew up behind. What she encounters are the people and words she will add to her very own dictionary: The Dictionary of Lost Words.
'The Dictionary of Lost Words: A Novel' by Pip Williams$17.00on Amazon.comBuy nowSign Up
For anyone who’s a student of history, and loves a bit of a twist, The Dictionary of Lost Words is an ideal read. This page-turner is already an award-winning piece of literature, earning the Australian Book Industry Award among other notable honors. If you’re not wholly convinced, let’s fill you in on the price point — you can buy a copy of The Dictionary of Lost Words for less than $20. It doesn’t matter if you want the paperback copy or the hardcover; both are less than $20 on Amazon right now. So, what are you waiting for? Summer is nearly here, and we know you want to stock your bookshelf with more TBR picks for those quiet summer days and nights.
Before you go, click here to see 10 of Reese Witherspoon’s best book club picks.
A mistake in translating a car park sign into Welsh has been branded "an insult".
Dim cofnod has been used as a translation for no entry three separate times near an Aldi store in Llandudno, Conwy county.
While dim cofnod does literally translate to no entry, it is in the context of book-keeping, not traffic.
Resident Nerys Hewitt said she was "horrified" at the signs, which should have read dim mynediad.
It is unclear if the car park sign was commissioned by Aldi or if the responsibility lies with British Land, the company which manages the Mostyn Champneys Retail Park.
Both have been asked to comment.
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"Cofnod is a list in a document," said Mrs Hewitt, adding she believed the mistake was due to someone relying on translation software.
Mrs Hewitt posted a picture of the mistranslated signs on Facebook, drawing hundreds of reactions from residents.
'An expensive mistake'
"Nobody checked," she said
"The word they've put down is entry but it means entry into a document. So it has a totally different meaning.
"It's an expensive mistake to have to redo it. It's very insulting to Llandudno."
Mrs Hewitt said she was surprised such mistakes were still being made "because getting a translation is so easy these days and surely somebody should have checked it before writing it down".
Rotkreuz, Switzerland , May 03, 2022 (GLOBE NEWSWIRE) -- vidby AG has created a service that translates and voices videos in 70 languages in a couple of minutes and costs from $0.9 per minute of the original video. vidby empowers bloggers, media, international companies, and educational organizations to scale their content and business worldwide.
vidby is easy to use - it only takes a couple of minutes to place an order, and the price is fixed at ordering. Thanks to the 8-year experience of the team in speech technologies, vidby allows its customers to eliminate errors in translation and make voiceovers of the highest quality.
“Our company’s mission is to make all video content understandable while preserving the linguistic diversity in the world,” says Alexander Konovalov, one of the co-founders of vidby AG.
vidby’s customers are already enjoying the following benefits of the product:
Ease of use: Ordering takes about one minute and doesn’t involve calls, letters, or clarifications, unlike the traditional approach. Therefore, you can save not only thanks to the speed and price of translation but also thanks to quick order placement.
Speed: vidby offers fully automatic translation and voiceover, which gives almost an immediate result (one minute of waiting time per one minute of the video.) It’ll be useful when you want to urgently bring video news to the world, understand what the video is about or select the necessary segments from a large amount of source material.
Quality: Thanks to vidby’s 8-year experience in speech technologies, the translation accuracy can reach up to 99%. We do this by involving people in post-editing of the source text after automatic speech recognition. Translation and voicing remain fully automatic.
Price: vidby boasts a transparent and fixed price at ordering. Automatic translation costs $0.9 per minute of translating into the first language. Semi-automatic translation with 99% accuracy costs from $2.9 per minute of translation into the first language plus $0.9 for each subsequent language (for source videos in Ukrainian and other languages of the Slavic group), from $5.9 for English and other languages of Western Europe, and $7.9 for languages with a specific dialect.
Eray Muller, Senior Communications Manager at Siemens Schweiz AG, used vidby to translate employee instruction videos. He appreciated the practicality, speed, and quality of translation.
“Practical, fast and good translation solution for internal employee videos,” says Mr. Muller.
Silvan Merki, Chief Communications Officer at Implenia AG, tried vidby to automatically translate videos into rare languages.
“The translation is very fast and amazingly good in quality - the whole context is clearly understandable,” he says.
Product release date
The first vidby prototype was launched in April 2021, and the first commercial version was released in September 2021. From April 2022, the company launches sales to the whole world. The cost of translations depends on the video's original language and the desired quality, starting from $0.9 per minute of translation and dubbing of the video into the first language and plus $0.9 for each subsequent language.
Check out the product here: https://vidby.com/. Each new customer gets a one-time discount of up to $10 with a minimum payment of $1 per order.
About vidby AG
vidby AG was founded in September 2021 in Rotkreuz, Switzerland, by Eugen von Rubinberg and Alexander Konovalov and was financed by its co-founders and private investors. vidby AG has now launched the sale of tokenized shares https://ift.tt/BFMgqHd.
Find out more about the company here: https://vidby.com/.
CONTACT: Eugen von Rubinberg vidby AG support@vidby.com
ROME — A felony amount of methamphetamine was found hidden in a secret compartment inside a dictionary during a search in Rome, according to the Rome Police Department.
Police said a vehicle was stopped in the 400 block of E. Bloomfield St. around 3 p.m. April 27 and two backpacks were found inside. The driver, who was charged with several vehicle violations, claimed one of the backpacks, police said. The passenger, 35-year-old Shawn E. Westcott, of Rome, denied ownership of the second backpack, police said.
The second backpack was found between Westcott's legs and was taken back to the police station to be searched, authorities stated.
Several items were found inside the backpack, including a BB gun and a throwing ax, police said. Officers also found a dictionary with a secret compartment, with even more items hidden inside, police stated.
Among the items found in the dictionary compartment was a quantity of meth, police said.
Westcott was located two days later and was taken into custody on one count of felony second-degree possession of a controlled substance, police said. He is scheduled to appear in Rome City Court.
Some of the most important parts of Drive Your Plow Over The Bones Of The Dead, by Nobel prize winner Olga Tokarczuk, are the scenes where the main character and her best friend busy themselves translating the words of William Blake.
Janina and Dizzy, both Polish, consider fragments of the original poems and reflect on the translation: they discuss in depth the language to be used, what the author meant, and what is really the most important for poetry in translation: trueness or intent; staying as close as possible to the original text, or changing whatever is necessary to pass on the meaning the original was trying to convey.
An interesting fact is that Drive Your Plow Over The Bones Of The Dead, the novel, has taken its title from one of Blake’s poems, Proverbs Of Hell.
As I read the book – which is filled with short transcripts of Blake’s poetry – I too wondered how I would translate those bits and pieces it into my own native language, Portuguese. There are so many variants in a language that allow for legitimate translations of the same text, and there is always the fear that a better, more accurate translation is just around the corner.
If we turn to Blake and to his Proverbs Of Hell, a part in the poem explains this struggle: “A fool sees not the same tree that a wise man sees.” Anyone who has ever had to examine a text for school can attest to the unfairness of being marked a wrong answer just because one’s examination differs from that of the textbook – or the professor.
In poetry, especially, is it fair to assume the author’s intention, especially when they leave space for an open interpretation? Who is to say my personal interpretation of a piece of literature is wrong, really, when each single reader brings with them a metaphorical suitcase, filled with life experiences which shape the way they perceive things?
One of Portugal’s most famous writers is perhaps Fernando Pessoa. He is known for his philosophical divagations in volumes such as The Book Of Disquiet, and for his poems. Pessoa was a curious character, a prolific writer, who had several heteronyms and molded words at will.
I am a big fan of the Fado music genre, and many of Pessoa’s poems were turned into songs; a few years ago, on vacation in Portugal, I ended up buying a collection of Fados entirely comprised of the words of Pessoa. I have absolutely no complaints about the music itself, but the little booklet it came with had all of the poetry sung in the album both in Portuguese and in English, and I swear I almost collapsed when I looked at the translations.
This is not the only time I’ve seen translations of poetry into my native language which absolutely botch the original. There is always, no exception, a thing or two I would tweak, either because I think it sounds better, or because I believe it encapsulates the idea of the poem, or the peculiar words chosen by the poet, better. And yet, often I am also surprised: I will stumble upon a translation, recognise I would not have translated it with those words, but agree that those words are, in fact, much more fitting of the poem.
It is difficult to define how much you lose or get from a translation. The ideal, of course, would be to speak all of the languages of the world and to not have to translate a thing. Because language isn’t merely knowledge, it is a feeling.
Native writers may not know why grammar works the way it does, but most of the time they will know to tell you that this doesn’t sound right, and that that does.
Managing to create beauty, and to encapsulate feeling, into words is one of the most difficult things to do. Keeping that beauty and feeling in translation might be impossible, which brings us again to the case of being truer to the intent of the original than to the words used, and where to draw a line.
Personally, I think Portuguese is one of the most beautiful languages in the world, and that no English translation of any poem can come close to holding in itself the beauty of the original. But maybe this is just sentiment talking, my own understanding and feeling – always the feeling – of the language I know best, the language that raised me and which I will always know most deeply.
Pessoa said: “My homeland is the Portuguese language,” and as an immigrant, I feel that in my bones. After ten years abroad, I do not feel like I belong to Portugal per se, but I also know I will never experience a culture the way I do the one I grew up immersed in. But the Portuguese language, that belongs to me in ways my homeland may never belong again.
I can translate one of my favourite Portuguese poems into English and feel like I did a good job. But I will still be wishing you could experience my language the way I do. Which, unfortunately, is not possible (unless you know and speak the language).
Then, of course, there is the issue of puns and made up words. PURgatory and PurGATOrio (where do cats expiate their sins before going to heaven?) will work for natives of both languages, but when someone (like author Mia Couto) makes a mash of the words bless (benção) and dream (sonho) to form abensonhadas – which makes perfect sense in Portuguese – how do you translate that and still keep both words, and the original intent and meaning? Well, good thing I am not a translator, or you would probably get dressed or bleam, which is gibberish.
Still, I think translations are always a valiant effort for sharing stories and for promoting wider accessibility, which brings us to another important issue within the subject of translations: who should translate what.
At Biden’s inauguration ceremony, Amanda Gorman took the stage by storm. Her poem, The Hill We Climb, was made into a book and translated worldwide. In the Netherlands, the translation work was gifted to writer and poet Marijke Lucas Rijnveld.
As much as Rijnveld is a brilliant writer (having won the International Booker Prize for his debut novel Discomfort Of Evening), he is neither a translator — or versed in English, as it was apparent at the Booker’s award ceremony — nor is he a person of colour. The publisher’s choice, it seems, was made merely out of popularity, and out of the fact that several publishers continue to grant certain rewards to the same popular – and usually white – authors over and over again, either that is the best fit or not.
Of course, the conversation started: why was Rijnveld given this honour when there are so many Black translators better suited for it and struggling to find a job? And how much of the core of the poem will Rijnveld really be able to translate properly, being that his own experience with race and culture differs so much from that of Gorman?
In the end, because these questions arose (something that would probably not have happened a decade ago) the translation ended up going to Zaïre Krieger.
This does not mean nothing is lost in translation, for such is the risk of trying to convey a language. But when you know the language in translation and the experience being translated into on a deeper level, a piece of poetry might still work for readers the way the original works for native speakers: it may touch the same heart strings, and invoke the same feelings.
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In 2011, Spaniard Natalia Diez was in Miami, FL where she had moved, and it was here that she first set foot in a CrossFit gym.
“I saw some guys doing butterfly pull-ups,” said Diez, who is now Spain’s CrossFit country manager. “And I remember doing it for the first time and being like, ‘What the hell am I doing?’”
But the 40-year-old Diez was hooked, and within five months she had completed her CrossFit Level 1 certificate. Diez said this was the beginning of what has become a life-long love affair with the sport.
“From there I was basically obsessed with CrossFit and I stayed in the US for about a year and took some coaching courses, some gymnastics courses because I wanted to know everything I could about CrossFit. I was looking for something and I found it.”
Diez then moved back to Spain, but at that point there were only four boxes in the entire country. So she did what any highly motivated person would do, and started building CrossFit in her country from the ground up. She was based out of Madrid and within a few years she was working full-time as a coach, leaving her job managing a Gold’s Gym.
By 2016 she was officially working with CrossFit, getting her coveted “red shirt”, coaching and teaching Level 1 and 2 courses. Her resume with CrossFit includes everything from judging and coaching to teaching and of course, competing.
In August of 2019, Diez helped CrossFit Front Garden come to fruition, and it became the first affiliate located within an oncology unit in a hospital (which she still runs to this day). Through this journey, she has seen CrossFit in Spain go from nowhere, to an established methodology which just broke 600 affiliates this month and has already added 41 in 2022 alone.
“The rate of growth (of CrossFit) in Spain has been crazy in the last nine months,” said Diez, who now lives in Palma, a city on the Spanish island of Mallorca.”We are having from nine to 11 affiliates open every month.”
“People outside of CrossFit are realizing that we take care of people, and I think that goes a long way when someone first comes into a box.”
Diez said this growth comes down to a number of factors, and at the foundation is making sure every single affiliate in Spain feels as if they have the support of CrossFit. She said this encompasses everything from birthday calls to regular training, for free of course.
“We’re working on educating them every month on something new, we cover training education, business education. So this week for example we worked on conflict resolution within the box, so not just with clients but conflicts within the team. How to proceed with that from the legal to personal part.”
CrossFit’s trajectory in Europe seems to have been supercharged coming out of the pandemic. France now has the second most number of boxes in the world, behind only the US, and Ollie Mansbridge, the country manager for the UK, said they are seeing growth all the way from London to Scandinavia.
Europe’s emergence from the pandemic has been nearly as swift as the US, as vaccine and travel restrictions have dropped almost as quickly as they were administered. Polls are showing people are craving human interaction again, as well as a renewed sense and purpose around fitness as a lifestyle and a means for staying healthy.
Diez said CrossFit plays perfectly into this as it combines working out with community in a setting where people feel challenged but not intimidated. She said one demographic switch she has seen coming out of the pandemic is a lot of people coming to fitness for the first time in their lives, in their 30s and 40s, with no sports or athletic backgrounds. She said this also applies to people in smaller towns where fitness hasn’t always necessarily been a priority.
“People are realizing outside of CrossFit that we take care of people, and I think that goes a long way when someone first comes into a box … and it’s really crazy because if you would have asked me a year ago, I would have said the opposite, people were trying to open affiliates in big cities, but now we are seeing affiliates open in small towns and do really well right away.”
Of course, Diez said the biggest hurdle when it comes to Spain’s CrossFit future is a simple, but incredibly complex one.
“Only about 20 percent of the population in Spain can speak English, and only about 20 percent of that say they read English…this is the hurdle we face everyday.”
“I’ve been translating for a long time and I’m always trying to fight for this. So think about when CrossFit shares something interesting with the world, but you don’t understand it because of the language barrier.”
Diez said training people to translate is a difficult task as well because CrossFit is a highly technical sport that has a lot of minutia and details that need to be exact. And of course, if people can’t read or even listen to English at a certain capacity, CrossFit’s message only gets to them through Diez and her team of translators.
“We translate as much as we can, but only about 20 percent of the population here in Spain can speak English, and only about 20 percent of that say they read English. Which means there are not a lot of people here who understand English. And so this is the hurdle we face everyday.”
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